Le coq, À ma chère et tendre Cécile
"And then, blaze and apotheosis, the series of roosters constitutes, at the turn of the seventies, the completion of the work of Paul Beaulieu. Everything that, with seriousness and over the years had been explored, transforms into an unleashing of colors and vitality. The rooster is the panache of creative virility. It marks the celebration of the happiness of being and of painting without further formality. Paul Beaulieu is sixty years old. He is in full possession means" - Leblond, J.-C. (1996). Paul Vanier Beaulieu: the pleasure of being / Mont Saint-Hilaire Art Museum 150, rue du Center Civic Mont-Saint-Hilaire. Life of the Arts, 40(163), 38–39
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Paul-Vanier Beaulieu (1910 - 1996)
Le coq, À ma chère et tendre Cécile, 1954
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Gallery
Cosner Art Gallery - Montreal
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Medium
Mixed media
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Time
Post-War Canadian art
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Dimensions
19" x 12,5" | 48,3 x 31,7 cm
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Dimensions with frame
28,75" x 21,6"| 73 x 54,8 cm
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Signed
dedicassed, signed and dated lower left. Annoted lower right
Paul-Vanier Beaulieu (1910 - 1996)
Nature morte aux fruits, 1955
Paul-Vanier Beaulieu (1910 - 1996)
Two portraits, 1954
Paul-Vanier Beaulieu (1910 - 1996)
Espagne, 1962
Paul-Vanier Beaulieu (1910 - 1996)
Paysage, 1970
Paul-Vanier Beaulieu (1910 - 1996)
La Provence
Paul-Vanier Beaulieu (1910 - 1996)
Le coq ( roaster) , 1969
Paul-Vanier Beaulieu (1910 - 1996)
Saltimbanques, 1954
Paul-Vanier Beaulieu (1910 - 1996)
Still Life with pears, 1947
Paul-Vanier Beaulieu (1910 - 1996)
Abstraction, blue, white, red, c. 1962