Il a plu Place-Jacques-Cartier, 1897
From 1977, Normand Hudon finally lives fully from his painting. In his work, his background as a caricaturist, illustrator and actor comes to light in caustic and colorful works. His sagacious spirit and the well-honed sense of repartee that he showed from a young age mark the themes he brilliantly exploits. From monks to magistrates, through scenes of daily life and children's games, Hudon's works appeal to the carefree memories of youth.
His favorite subjects? Daily life, working-class neighborhoods and Quebec at the advent of the Quiet Revolution. The impression that emerges from his paintings is that of a childish and mischievous gaiety. Thus, Normand Hudon offers us a personal and creative vision of his childhood "drowned in holy water".
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Normand Hudon (1929 - 1997)
Il a plu Place-Jacques-Cartier, 1897, 1985
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Gallery
Cosner Art Gallery - Montreal
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Medium
Acrylic on panel
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Time
Post-War Canadian art
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Dimensions
Artwork dimensions : 50,8 cm x 60,9 cm / 20'' x 24''
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Dimensions with frame
76,2 cm x 86,3 cm/ 30'' x 34''
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Signed
Signed and dated 85 lower right, titled lower left
Normand Hudon (1929 - 1997)
Rue principale, 1987
Normand Hudon (1929 - 1997)
Facteur de campagne, 1990
Normand Hudon (1929 - 1997)
Les cordes à linge, 1988
Normand Hudon (1929 - 1997)
La traversée, 1988
Normand Hudon (1929 - 1997)
Rue principale , 1991
Normand Hudon (1929 - 1997)
La rentrée, 1988
Normand Hudon (1929 - 1997)
La chute de Soeur Sophie, 1987
Normand Hudon (1929 - 1997)
Le plaidoyer, c. 1989
Normand Hudon (1929 - 1997)
Le retour, 1994