Il a plu Place-Jacques-Cartier, 1897
From 1977, Normand Hudon finally lives fully from his painting. In his work, his background as a caricaturist, illustrator and actor comes to light in caustic and colorful works. His sagacious spirit and the well-honed sense of repartee that he showed from a young age mark the themes he brilliantly exploits. From monks to magistrates, through scenes of daily life and children's games, Hudon's works appeal to the carefree memories of youth.
His favorite subjects? Daily life, working-class neighborhoods and Quebec at the advent of the Quiet Revolution. The impression that emerges from his paintings is that of a childish and mischievous gaiety. Thus, Normand Hudon offers us a personal and creative vision of his childhood "drowned in holy water".
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Normand Hudon (1929 - 1997)
Il a plu Place-Jacques-Cartier, 1897, 1985
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Gallery
Cosner Art Gallery - Montreal
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Medium
Acrylic on panel
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Time
Post-War Canadian art
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Dimensions
Artwork dimensions : 50,8 cm x 60,9 cm / 20'' x 24''
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Dimensions with frame
76,2 cm x 86,3 cm/ 30'' x 34''
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Signed
Signed and dated 85 lower right, titled lower left
Normand Hudon (1929 - 1997)
Dimanche matin , 1990
Normand Hudon (1929 - 1997)
Double accrochage, 4 minutes , 1987
Normand Hudon (1929 - 1997)
La rentrée au bercail, 1987
Normand Hudon (1929 - 1997)
La rentrée, 1983
Normand Hudon (1929 - 1997)
Le révérend Pat Burns et les mineurs, 1991
Normand Hudon (1929 - 1997)
Médecin de campagne, circa 1883, 1983
Normand Hudon (1929 - 1997)
Mes chers enfants l'impureté, c'est... comment dirais-je...une chose... inexplicable., 1983
Normand Hudon (1929 - 1997)
La rentrée au bercail, 1988
Normand Hudon (1929 - 1997)
Le dernier playdoyer, 1989