Notre client est un innocent
From 1977, Normand Hudon lives fully from his painting. In his work, his background as a caricaturist, illustrator, and actor comes to light in caustic and colourful works. His sagacious spirit and the well-honed sense of repartee that he showed from a young age mark the themes he brilliantly exploits. From monks to magistrates, through scenes of daily life and children's games, Hudon's works appeal to the carefree memories of youth.
His favourite subjects? Daily life, working-class neighbourhoods and Quebec at the advent of the Quiet Revolution. The impression that emerges from his paintings is that of a childish and mischievous gaiety. Thus, Normand Hudon offers us a personal and creative vision of his childhood “drowned in holy water”.
Normand Hudon (1929 - 1997)
Notre client est un innocent, 1991
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Gallery
Cosner Art Gallery - Montreal
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Medium
Acrylic on panel
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Time
Post-War Canadian art
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Dimensions
36,8 x 45,7 cm | 14,5'' x 18''
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Dimensions with frame
55,8 x 66,7 cm | 22'' x 26,25''
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Signed
Signed and dated lower right, titled lower left
Normand Hudon (1929 - 1997)
Notre-Dame et marché bonsecours , 1985
Normand Hudon (1929 - 1997)
Mais qu'est-ce que je disais? Ah oui, les arguments de mon savant confrère, sont...heu...., 1992
Normand Hudon (1929 - 1997)
Le sprint, 1984
Normand Hudon (1929 - 1997)
En allant à l'école, 1979
Normand Hudon (1929 - 1997)
Quatre soeurs dans l'vent, 1990
Normand Hudon (1929 - 1997)
La rentrée, 1990
Normand Hudon (1929 - 1997)
La rentrée en ville , 1986
Normand Hudon (1929 - 1997)
La rentrée, 1988
Normand Hudon (1929 - 1997)
Trois soeurs