Notre client est un innocent
From 1977, Normand Hudon lives fully from his painting. In his work, his background as a caricaturist, illustrator, and actor comes to light in caustic and colourful works. His sagacious spirit and the well-honed sense of repartee that he showed from a young age mark the themes he brilliantly exploits. From monks to magistrates, through scenes of daily life and children's games, Hudon's works appeal to the carefree memories of youth.
His favourite subjects? Daily life, working-class neighbourhoods and Quebec at the advent of the Quiet Revolution. The impression that emerges from his paintings is that of a childish and mischievous gaiety. Thus, Normand Hudon offers us a personal and creative vision of his childhood “drowned in holy water”.
Normand Hudon (1929 - 1997)
Notre client est un innocent, 1991
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Gallery
Cosner Art Gallery - Montreal
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Medium
Acrylic on panel
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Time
Post-War Canadian art
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Dimensions
36,8 x 45,7 cm | 14,5'' x 18''
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Dimensions with frame
55,8 x 66,7 cm | 22'' x 26,25''
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Signed
Signed and dated lower right, titled lower left
Normand Hudon (1929 - 1997)
La rentrée, 1994
Normand Hudon (1929 - 1997)
Trois soeurs, 1990
Normand Hudon (1929 - 1997)
Henriette et Julien , 1992
Normand Hudon (1929 - 1997)
Leur plus beau temps, 1992
Normand Hudon (1929 - 1997)
Place Jacques-Cartier, Montreal, 1985
Normand Hudon (1929 - 1997)
Il a plu Place-Jacques-Cartier, 1897, 1985
Normand Hudon (1929 - 1997)
Oubliez ma ressemblance avec Brian, et tentez d'être honnête dans votre déposition!, 1992
Normand Hudon (1929 - 1997)
Henri et Juliette
Normand Hudon (1929 - 1997)
Les supporteurs , 1990