Le club de ballon-balai
The work of Miyuki Tanobe is characterized by its particular style, even unclassifiable. In a monograph devoted to the artist, Leo Rossahandler mentions that “although her works are figurative, they are not necessarily realistic or documentary. The deformations, the accents, the psychological deepening, the material, all this seems to indicate an expressionist tendency. However, it does not show the violence of execution that characterizes this style”.
To share her vision of Quebec culture and imbue her works with a very singular sensitivity, Miyuki Tanobe takes the time to observe his environment, the children who play as well as passers-by in their daily lives. Thus, she paints the portrait of a very lively and dynamic society, and this in all simplicity.
Miyuki Tanobe (1937 - -)
Le club de ballon-balai, 1994
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Gallery
Cosner Art Gallery - Montreal
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Medium
Nihonga
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Time
Post-War Canadian art
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Dimensions
30,5 cm x 25,4 cm | 12'' x 10''
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Dimensions with frame
30,5 x 25,4 cm | 19'' x 17''
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Signed
Signed lower left, signed, titled and dated 20-03-1994 on verso
Miyuki Tanobe (1937 - -)
La maison de Jean Levesque, 1982
Miyuki Tanobe (1937 - -)
Patinoire du parc, 1975
Miyuki Tanobe (1937 - -)
Jeux d'hiver, 1987
Miyuki Tanobe (1937 - -)
Enfin on l'a notre arbre de Noël, 1981
Miyuki Tanobe (1937 - -)
Lundi, jour de lessive
Miyuki Tanobe (1937 - -)
Vive les vacances... Préparatifs de la Saint-Jean, 1980
Miyuki Tanobe (1937 - -)
Une partie d'huitres à St-Théodore, 1976
Miyuki Tanobe (1937 - -)
Cabane au toit vert, 1972
Miyuki Tanobe (1937 - -)
Plaisir d'hiver, 1974