Le club de ballon-balai
The work of Miyuki Tanobe is characterized by its particular style, even unclassifiable. In a monograph devoted to the artist, Leo Rossahandler mentions that “although her works are figurative, they are not necessarily realistic or documentary. The deformations, the accents, the psychological deepening, the material, all this seems to indicate an expressionist tendency. However, it does not show the violence of execution that characterizes this style”.
To share her vision of Quebec culture and imbue her works with a very singular sensitivity, Miyuki Tanobe takes the time to observe his environment, the children who play as well as passers-by in their daily lives. Thus, she paints the portrait of a very lively and dynamic society, and this in all simplicity.
Miyuki Tanobe (1937 - -)
Le club de ballon-balai, 1994
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Gallery
Cosner Art Gallery - Montreal
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Medium
Nihonga
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Time
Post-War Canadian art
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Dimensions
30,5 cm x 25,4 cm | 12'' x 10''
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Dimensions with frame
30,5 x 25,4 cm | 19'' x 17''
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Signed
Signed lower left, signed, titled and dated 20-03-1994 on verso
Miyuki Tanobe (1937 - -)
Casa CostaVerdi, 1974
Miyuki Tanobe (1937 - -)
Souvenirs d'été Avenue McGill College, Montréal , 1997
Miyuki Tanobe (1937 - -)
Winter in Montreal , 1982
Miyuki Tanobe (1937 - -)
Samedi d'été, 1993
Miyuki Tanobe (1937 - -)
Scène d'hiver à Québec, 1984
Miyuki Tanobe (1937 - -)
Ce soir à Québec on fête la St-Jean, 1995
Miyuki Tanobe (1937 - -)
Halloween à Montréal, 1977
Miyuki Tanobe (1937 - -)
À la cabane chez Pinneault, 1989
Miyuki Tanobe (1937 - -)
Les courses pour sa femme, 1994