Autum, Lake Superior

Painting exhibited at Glenbow Museum, Calgary, Trailblazer Donor Event, May 12, 1990

Following their trip to the Algoma area in the fall of 1921, A.Y. Jackson and Lawren Harris ventured to the north shore of Lake Superior for the first time, visiting Schreiber and Rossport. The following year, in the fall, they returned, this time to explore Coldwell and the surrounding area. The duo sets up camp there and begins their sketching sessions. However, painters face difficult conditions. Moreover, Jackson notes that “the elements in this country could be unleashed with wild and malicious fury.” These harsh experiences contributed to the reputation of the Group of Seven, known for enduring hostile environments to capture striking landscapes.

Jackson often focused on the hills around Lake Superior, in this vibrant Group period sketch he also depicts a panoramic view of the lake. Jackson deeply admired this landscape, stating: "There is a sublime order in this landscape—the long curves of the beaches, the ranges of rolling hills, and the promontories that jut into the lake...In autumn the whole country 'illuminates with colors; cranberries and cherry trees turn crimson, mountain ash trees are covered with red berries, poplars, and birches turn yellow, and larches take on a green-gold hue. »

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